Category Archives: music

Nicely written post extending the MSDN audio CD writing sample to make it actually write CDs.

Once I have implemented this, I will update with feedback.

C# Audio CD Writer for Windows XP – Sichbo Interactive


Using Open Source? Get NuGet. | Tony Sneed’s Blog


Finally! (Essentials Blue final project)

I finally got it done. It is still rough, but also feels somewhat exposed which I am OK with. Just another echo of who I am before God. I stuck it in this player. It is called Light In Darkness. It is on my website at:

For: The Institute Of Contemporary And Emerging Worship Studies, St. Stephen’s University, Essentials Blue Online Worship Theology Course with Dan Wilt.

A Brief Theology of Worship Leadership

This is obviously a work that will stay in progress…

1. What is worship?

In its simplest essence worship takes two forms: ascribing worth and obedience.

As we recognize the echoes of God in life and then start to interact with Him we realize the enormous worth He has. The weight of this understanding of who He is brings the fruit of ascribing worth to Him. We can do this personally in many ways. Because we are image bearers (made in His likeness), we are creative and so we naturally create in our expressions of ascribing worth.

Having made it that far – realizing that God loves us and echoing back our love for Him naturally drives us to a desire to please Him. So we search out His desire for us and attempt to be obedient.

I think it is important to make the distinction between worship (what is happening inside us) and “expressions of worship” which are the outwardly visible acts we perform to express our worship.

God speaks in Isaiah 29:13 “These people honor me with their lips, but their heart is far from me.” [1] A worship act that is not coming from the heart is not authentic worship.

2. What does music and creativity have to do with it?

Bono wrote: “Show-business is Shamanism: Music is Worship; whether it’s worship of women or their designer, the world or its destroyer, whether it comes from that ancient place we call soul or simply the spinal cortex, whether the prayers are on fire with a dumb rage or dove-like desire … the smoke goes upwards … to God or something you replace God with … usually yourself.” [2]

People must worship. We ascribe worth all day every day. Music allows us to express worship as a community. N.T Wright said that our worship voices creation’s praise. [3]

Music is a powerful tool and can change people’s life and affect the way they walk it out. It can act to center us back to what we believe is important and keep us grounded in truth or take us far away from it. Thus the songwriter has a big responsibility.

3. How does worship further the Kingdom Story in the world?

Dan Wilt wrote: “… our primary mission is to tell the story of salvation, from original creation, to fall from relationship, to restoration through cross and resurrection, to complete and universal new creation.” [4]

To do this in the Church community we have created cyclic celebrations and rememberances that tell specific stories and remind us of what God has done, what He is doing and what will be. This again points to the gathering as a place of focus and the content of that gathering being very important. We must be intentional in our story telling.

4. How should all of the above affect how we lead worship as worship leaders?

Knowing that we are the point man or woman in the act of storytelling and that our decisions can affect dramatic change in the lives of another’s soul is a huge thought. Nonetheless it is true. Nowhere like in a worship gathering do we have the opportunity to take on the huge challenge of:
a. Reflecting the echoes of the world around us and bringing that echo back around to a facet of who God is.
b. Bringing reminders of the stories of God and inviting others to retell it.
c. Ascribing worth directly to God and creating those liminal spaces [5] (a threshold or door into the heavenly realm) where a worshipper can commune corporately with God.

That is a lot to do in the 20 minutes generally given it in a worship service. To me this means that we must make an impact on our congregation not only of what we are doing, which is huge in itself, but also that they should continue with their expressions throughout the week. We should also make time for specific, non-seeker sensitive (someone seeking God out who may come on a Sunday morning but need the acts of worship explained to them) worship times where the worship can flow and the exchange can be untethered from the rigors of some Sunday morning schedules.

It is more than we can do alone and to do it right boils down to one thing: The act of planning a worship “set” must be an act of worship itself. We must try and create a liminal space of our own to interact with God and hear what He has to say about the time we have allotted us. It is the only way we can lead: by asking our leader for guidance.

[1] “The Blue Note: Can Your Faith Face The Music?” Jan./Feb. Vol. 14 No. 1 2005 Pages 32-35
[2] Isaiah 29:13 The Bible, New International Version
[3] Dan Wilt, What Is Worship? (Houston: Vineyard Music USA, 2006), DVD
[4] Wilt, Dan, “Essentials In Worship Theology”, p.32
[5] Wilt, Dan, “Essentials In Worship Theology”, p.42

For: The Institute Of Contemporary And Emerging Worship Studies, St. Stephen’s University, Essentials Blue Online Worship Theology Course with Dan Wilt.

As Long As It Takes

This is not the homework but a longer discussion I am inviting input to on the side. So if you don’t have time and need to see my homework just skip down a couple posts…

It was hard picking something to write about this time. I had several but felt like I would have to write and research a lot more to really get it said. One that really eats at me is this one. So many people in our congregation only end up worshipping at the Sunday service, but that is somewhat geared down compared to what it could be because we are sensitive to time. I felt that NT Wright’s indictment against much contemporary worship and not taking time to really read and dig into scripture [1] rang true, but we watch our service with a stopwatch (the schedule runs 2 minutes for this, 1 minute for that) – what to do?

Many worship services that ran a lot longer just seemed richer. Sometimes they had some moments that were not as refined as something more concise, but the assumption was that we would worship as long as it takes. I miss that.

Maybe the real key is to be engaged during the week. The Sunday morning service really does act as a catalyst for people and if we can engage them then maybe they will engage in deeper times of intimacy.

But times of large corporate worship gatherings are powerful times. I have seen God do amazing things in these sort of times. Not that God is limited to them, but I feel like Morphew said about the festivals that God really wants and enjoys these times with us. [2] For us to leave them out of our regular cycles of gathering I feel causes us to live less fully.

So I think – how about Sunday or Saturday night? Make it clear that this is an “as long as it takes” meeting. But the issues of time still come up. What if the guitarist needs childcare in order to play – you have limits.

What do you think?

1. NT Wright, The Word In Worship, Inside Worship (collection)
2. Derek Morphew, The Restoration of Celebration, Inside Worship (collection)

Essentials Blue Silly Song


Yes, it’s silly. SOMEone had to do it…

I feel so good I got a busy mind
I’ve got homework all the time
Since I started puttin in time
On essentials Blue

Saving nickles saving dimes
essentials red is coming in a short time
These have been some happy times
On essentials Blue

I’m going up someday
to see Dan’s face
from essentials Blue
to the great white north
the chilly home
of essentials blue

Where the dreamers and poets
and astrophysicists
can all begin to see
We’re creators all
and must answer the call
a fully human being

No I’m not blue
My dreams came true
On Essentials Blue

Here we have something old and new (a Gumby from when I was a kid and another that was from my niece last Christmas. We also have an old song with new lyrics.
I am somehow driven to do this stuff even though it makes it looks like (as Robin said) “You have too much time on your hands.” Though it is obvious how much time I spent on this recording…

Ryan Delmore Interview Comments


For: The Institute Of Contemporary And Emerging Worship Studies, St. Stephen’s University, Essentials Blue Online Worship Theology Course with Dan Wilt.

Ryan Delmore recently wrote a song included on his new CD “The Spirit the Water and the Blood.” The song is called “Falling Down.” It was in response to issues some friends had. So often our writing has this sort of personal value. When we are able to capture in musical essence a hurdle that people in our congregation are facing, it brings a much-needed outlet.

I once was talking with various members of a congregation I led worship for and shared that I would welcome their input. While I was sharing that I said, “I don’t want to always tell you what to do.” To my surprise one of them said “I like that you tell us what to do.”

Some people have a great idea of what to do and how to worship, but some need help to express the things in their heart. It is our privilege and responsibility to find out what God is saying through scripture and song and bring it as a servant as an offering that all can participate meaningfully in.

This is no small task, and when you add to that the expectation that you need to cover folks who may be visiting and may not “get” worship at all, the task becomes impossible to do without seeking guidance from God so that you go in the right direction.

Ryan’s song has the chorus “and I’m falling down…” it’s the response to God when we are faced with a situation and He’s the only one who can give us what we need. May we fall down before the One who can shed light on the next worship set, our life decisions, and our most passion driven dreams.

I Can’t Dance

For: The Institute Of Contemporary And Emerging Worship Studies, St. Stephen’s University, Essentials Blue Online Worship Theology Course with Dan Wilt.

In an article by Derek Morphew named The Restoration of Celebration, he writes about the loss of celebration in the church over the years and how important it is to bring it back. He focuses specifically on dance, and says that it reflects the state of celebration in the Church. I agree and I think we often fall short.

Morphew writes that we are commanded to rejoice by scripture. This is quite a refreshing and relieving view for this conservatively raised boy. When I started college I had to sign a paper that said that while I was a student at this Christian college I would not dance.

I questioned this point of view then and a few years later joined a community that encouraged dance as part of worship. I have since been in congregations that in turn embrace, condemn, avoid, and have heated elders meetings over the subject.

When God called me to lead worship, I did a lot of thinking about worship and concluded that if a person could dance for joy over a touchdown, then they had no right objecting to someone offering exuberent thanks to the One who is all powerful and eternal. If our emotions and expressions are given to us for anything they are for giving God glory.

But generally I don’t dance.

There is one notable exception in my past that changed my life and my view of worshippers. I was prompted by my wife (who I believe in turn had God’s prompting) to dance in the middle of a worship time. In the middle of my awkwardness in stepping out to do that, God told me that He liked to dance with His children just like I enjoyed dancing with my (then) little girls. It was not about getting things perfect, and certainly not a show. We want to please each other — it was about enjoying and valuing each other.

These days I usually leave the dancing to someone else, but that time with God is one I will never forget.

Morphew writes:

“… a saying of the Mishna, which captures the Jewish concept
of God. According to this saying, when God finally judges His people, He will not only judge them for the things they have done, but for the good things which He gave them to do which they failed to enjoy. He will want to know four things:
Did you ever find yourself playing with little children?
Did you ever enjoy a fine wine?
Did you court in the springtime?
Did you ever find yourself dancing for joy, without knowing why you were dancing? [1]

It seems that we sometimes get so serious that we forget that this journey we are on is about life and love and living out the one-anothers not just between us but also to include God in our acts of celebration.

Morphew later concludes by quoting Richard Foster, in his Celebration Of Discipline:

“Far and away the most important benefit of celebration is that it saves us from taking ourselves too seriously. That is a desperately needed grace for all those who are earnest about the Spiritual Disciplines.
It is the occupational hazard of devout folk to become stuffy bores. That should not be. Of all people we should be the most free, live and interesting. Celebration adds a note of gaiety, festivity, and hilarity to our lives. After all Jesus rejoiced so fully in life that He was accused of being a wine bibber and a glutton. Many of us lead such sour lives that we couldn’t possibly be accused of such things.” [2]

There is a lot to break free of while still holding on to the important stuff. Christian life can be hard but should also be a life of celebration of all God has done as we reflect the attributes of the God of heaven here on earth.

1. Derek Morphew, The Restoration of Celebration, Inside Worship (collection)
2. Richard Foster, Celebration Of Discipline, Hodder, London, 1985.

The Artisan Worship Leader


For: The Institute Of Contemporary And Emerging Worship Studies, St. Stephen’s University, Essentials Blue Online Worship Theology Course with Dan Wilt.

In Dan’s video [1] and the article linked above, Dan speaks of the Worship Artisan and proposes definitions and guidelines for becoming and being a worship artisan.

The immediate thought I came to was that often artisan and journeyman are used in the world of craftsmen. This immediately got my attention and gave me a new scope of measurement of where I was at as a worship leader.

In the Medieval times, there were guilds for various crafts. These guilds had positions within their craft of Apprentice, Journeyman, and master.

The apprenticeship makes a commitment to serve the master craftsman, traditionally a live-in position. They serve for a term of three to seven years. Then with the master’s approval, they become a journeyman (you can find a bit more information on a journeyman here). The journeyman can then work for any master craftsman who will have them.

A journeyman cannot have apprentices working for him. It is not until he has served as a journeyman and brings his work to the guild for approval that he can become a master.

I would guess that many today would consider the worship music industry to be the “guild” of our time, but if you applied this idea to the “profession” of a worship artisan, as someone trying to attain artisan status, you could derive several parallels:

1. At some point we are all apprentices. At some point, we decide we want to lead worship and learn the skills to do it. We become an apprentice of Jesus, and we need to stay close (live with Him) to get to know Him. This time is essential and cannot be bypassed. We also likely apprentice under another worship leader or pastor.

2. Once we have spent some time with our Master, and possibly under the guidance of some artisans, we will eventually graduate to become journeymen, able to be given a task and perform it on our own, but continuing under the covering of a master, and The Master.

3. Some will then gain master status, although for many it is not because of their maturity, but from a hit record. This puts them in the place of a master in that they are a craftsman unto themselves, and can work independently of another master. While some do this successfully, I believe the best worship artisans, the true masters, are accountable to others, and always subject to their One Master.

Someone once told me that to be a good leader you should always have a Paul (Father / Mentor), always have a Timothy (Son / Apprentice / someone to Mentor), and always have a Barnabus (peer / friend) in your life.

I feel this describes much of the place a true artisan would be in. If he is being mentored, he acknowledges that he is still growing. If he is mentoring, he must keep his own art sharp and fresh so that it can be passed on. If he is accountable to a peer, he has a lifeline that will help him remember his life song when he has himself maybe forgotten the words.

So I hope that as a journeyman and continued apprentice of Jesus and a servant to my Father, the ultimate Master, that I will finish a craftsman held in good esteem by the guild, and be a true artisan. Knowing my craft, my Master’s ways, and that my tools will be found well used and put to good use when I lay them down.

Some of the info on the Medieval guild system I got from this website: [2]

1. Wilt, Dan The Rise Of The Worship Artisan (audio track)

2. Jariwala, Nikhil Medieval Economy – Professions

Life and Music


My friend Lonnie sent me this, and it made sense to me. I thought I would share a link to it. Life is all about the journey. If you always focus on destinations, and never look at the journey that gets you there, you miss most of life.

This flash piece put it very well.